David Mackay

David Mackay was
responsible, not only for penning the main themes to Auf
Wiedersehen Pet, but also all of the incidental music which
gave atmosphere to the scenes, and added that extra
sparkle. David took some time out from his current projects
to talk to us about his time on the show.
Hi David,
thanks for giving us an interview. When did your
involvement begin on 'Auf Wiedersehen Pet'?
When I was
shown the first script of the first episode. The same day
I saw some rough cuts of the first scenes they had shot.
How did you
picture the music in your mind as you composed it - did
you get to see the footage first, or did you have to work
from a script and try and build a picture in your mind of
what it would look like?
On the day I
saw it, I went to bed that evening with it in my head and
as I was about to hit the sack I wrote "That's living
alright" on manuscript I had on the bedside table. In the
morning I finished it off with Ken Ashby a friend from
America who I was working with on another project at the
time.
How surprised
where you when 'That's livin alright' hit the number 3
spot in the UK chart?
Extremely. I
knew Joe Fagin was a GREAT singer and was more thrilled
for him than anyone else.
Were the
follow up series themes Get it right and Back with the
boys again, intended as another possible chart hit, and
were you disappointed with its low score in the charts?
It was because
the new location sort of required a new theme. Personally
I think it was a mistake to change the themes, but that is
what the TV company wanted. I retained the rights to the
first themes, but they wanted a share of any new theme.
Did you try
and give certain characters their own 'theme' of music,
i.e. softer for one character, lighter for another,
menacing for another etc?
Yes. Different
instruments as well. Oz was a dobro guitar, a bit sloppy,
Barry a harmonica, a bit of a drawl.. sort of thing.
During the
second series, you composed a piece for an ASDA shopping
sequence, which contained the ASDA TV jingle. Were ASDA
happy for you to use this, and were you worried at all
about using it?
I can't
remember using an ASDA jingle personally! Maybe in the dub
the director added it in which case I am sure they would
have had permission.
In your
opinion, which series did you get the best musical results
from, first or second, and why?
The first for
the theme and probably the second for the incidental as
the situations moved a bit more.
When you
first started work on the show, did you believe it would
become so successful and what do you think is the basis of
it's success?
I had no idea
really. It is hard to know what will happen. TV in this
country is rather destroyed by the programme controllers.
It depends on the slot you get. We were lucky we got a
good one and that really helped. Saturday mornings after
the screening on a Friday night was great for selling
records.
And finally
David, what are you currently working on?
I have just
produced the theme for a new sit com called "The house
that Jack built" which will be screened on the BBC
probably in the summer. It stars Adam Faith and Gillian
Tailforth. There are 6 episodes and they are really funny.
Don't miss it. My major project at present is as musical
supervisor for a new musical by the chaps who gave us
BUDDY in the West End. The new show is called 125th street
and will open in Bromley in September and in the West End
in October. It is set in Harlem in 1969 and is a real
blast! Don't miss that either!
With very
special thanks to David Mackay.
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